Interviews

 

 

Interview with Calum:

 

Q: Calum, your journey from a lute player at a Renaissance festival to a disco artist is quite extraordinary. Can you tell us about that transition and how it influenced your music?

 

A: Ah, yes, quite the unexpected turn of events, indeed. Back in '79, life took an unforeseen twist, and I found myself swept into the pulsating world of disco. It was a stark contrast to my days strumming the lute, I must say. But you see, life has a way of surprising you, doesn't it? The rhythm and energy of disco struck a chord within me, and I couldn't resist the call to explore this vibrant genre.

 

Q: As an ex-hitman in a remote country where it's a legal profession, how did your past experiences shape your approach to music?

 

A: Ah, my past... It's true, I've led a rather unconventional life. You see, in that remote country, the line between dark and light is blurry, and I've danced on both sides. Those experiences, the shadows and the grit, they've given me a unique perspective on music. It's as if each note carries a whisper of my past, a blend of virtuosity and an undercurrent of darkness. My music reflects that dichotomy, a fusion of beauty and the scars I carry. It's an expression of redemption, if you will.

 

Q: Your tattoos are quite remarkable. Can you share the stories behind some of them and how they intertwine with your musical journey?

 

A: Ah, my dear tattoos, each one holds a story, a chapter in my life. They've become a tapestry of memories, etched upon my skin. There's one here on my forearm, a lute with wings—a reminder of my humble beginnings as a Renaissance musician. And this intricate design on my chest, it intertwines notes and bullets, symbolizing the convergence of my musical passion and my violent past. They are a testament to the layers of my existence, a visual representation of my personal symphony.

 

Q: How do you balance the virtuosity and the feeling of being lost in your music?

 

A: It's a delicate dance, I must admit. On one hand, my virtuosity allows me to craft intricate melodies, to wield my instruments with precision. But within those skillful notes, there's a yearning for something deeper, an essence I'm still searching for. I believe it's in that state of being lost that I truly find myself, that my music becomes more than just technical proficiency. It's the vulnerability, the sense of wandering, that allows me to tap into the raw emotions that connect with listeners on a profound level. It's a constant push and pull, a balancing act between skill and surrender.

 

Q: What message do you hope to convey to your audience through your music?

 

A: Above all else, I want my music to evoke a sense of hope and redemption. It's a reminder that even in the darkest corners of our lives, there's still beauty to be found. I want to take my listeners on a journey, to transport them through the power of sound. I hope that within my melodies, they can find solace, inspiration, and perhaps a reflection of their own complicated journeys. We're all lost in some way, but through music, we can find our way back to ourselves.

 

 

 

Tiffany

 

 

 

Interviewer: Tiffany, your music is often described as pushing the boundaries and being innovative. How would you define the essence of your sound?

 

Tiffany: It's like fucking cosmic vibrations and ethereal echoes colliding in a goddamn sonic orgy.

 

Interviewer: You've mentioned that you consider yourself the future of jazz. What sets your approach to jazz apart from traditional interpretations?

 

Tiffany: Traditional jazz can go fuck itself. I'm rewriting rules, injecting a dose.

 

Interviewer: Your vocals are captivating and evoke deep emotions. What inspires the lyrical themes in your music?

 

Tiffany: Fucked up dreams, shattered spleens, and the twisted tales of lost souls. I'm delving into the darkest corners of existence, man.

 

Interviewer: You have a unique belief that Bill Evans is your son from a past life. How does this connection influence your creative process?

 

Tiffany: Bill Evans is in my fucking blood, coursing through my veins like a goddamn musical legacy. It's a cosmic bond that fuels my creativity and drives me to honor his genius.

 

Interviewer: Your life journey has been quite diverse, from street racing to being a valedictorian. How do these experiences shape your artistic expression?

 

Tiffany: I've tasted the thrill of the streets and soared to intellectual heights. It's a fucking rollercoaster ride that informs my artistry, injecting raw passion and intellectual depth into my creations.

 

Interviewer: Lastly, can you share any insights into your inventive side, such as the invention of a tortoise sedative?

 

Tiffany: Oh, the tortoise sedative? Just a fucked up experiment in unlocking the hidden secrets of nature, man. I'm always tinkering, pushing boundaries, and questioning the status quo.

 

 

 

 

 

 

Cody

 

 

Interviewer: G'day, Cody! Your drumming skills and banjo playing are bloody brilliant. How'd ya develop such a unique musical style?

 

Cody: Cheers, mate! It's been a long road of bloody hard work and passion. I've always been keen on music, and I've spent countless arvos honing me skills on the drums and banjo. It's a mix of me influences and me own way of expressin' meself that shapes me unique style.

Phone rings

Cody: Hang on a tick. Got an important call.

 

Interviewer: No worries, take your time, mate.

 

Cody: Mum? Yeah, I'm in the middle of an interview. Can I ring ya back later? Alright, love ya too. Catch ya!

 

Interviewer: No worries, mate.

Family first. Now, I've heard ya had a stint in the slammer. How did that shape ya outlook on life and music?

 

Cody: Yeah, mate, it was a bloody tough time. Bein' locked up for somethin' I didn't do was a real bummer. But ya know what? It made me appreciate every bloody opportunity I've got, includin' me love for music. It taught me resilience and the importance of stayin' true to meself.

 

Interviewer: Fair dinkum, mate. Your fashion sense is top-notch, always lookin' sharp and a bit intimidating. How does ya style contribute to ya stage presence?

 

Cody: Cheers, mate. I reckon how we present ourselves on stage is an extension of our music and performance. Dressin' sharp gives me confidence and adds a bit of oomph to me stage presence. It helps create an atmosphere that matches our music, ya know?

 

Interviewer: All good, mate. So, what's the plan for ya and the band? Any upcoming gigs or goals ya wanna share?

 

 

Cody: We've got heaps of plans in the works, mate. We're busy writin' new tunes and explorin' different musical styles. Our main goal is to keep growin' as musos and connectin' with our fans on a deeper level. We're stoked for upcoming gigs and sharin' our music with everyone. So, stay tuned, mate!

 

Interviewer: That sounds bonza, Cody! Thanks for takin' the time to chat with us today.

 

Cody: No worries! Thanks for havin' me. Take it easy, eh?

 

Interviewer: You too, Cody. Best of luck with everything, mate!

 

 

 

The Three Way

 

 

Interviewer: Good day to you, HhlL. It's quite the eccentric ensemble we have here. Now, let's dive straight into the enigma that is your band's inception.

 

Cody: Picture this, mate: I'm dumpster diving, stumble upon a banjo, and start plucking away like a madman. Tiffany wanders by, says, "That's some weird mojo you got there." And thus, the madness ensued.

 

Tiffany: Oh, darling, it was a cosmic collision of banjo mayhem and my digital symphonies. It was destiny, or perhaps a twisted cosmic joke.

 

Calum: Destiny or joke, who knows? All I know is that dumpster banjo unlocked our musical pandemonium.

 

Interviewer: Remarkably peculiar. Cody, as the drummer and banjo player, what unique essence do you bring to the mix?

 

Cody: I'm like a wild beast unleashed on the drums, and that banjo adds a touch of insanity.

 

Interviewer: Intriguing analogy, indeed. Tiffany, as the master of digital soundscapes and vocals, how do you infuse your idiosyncrasy into the band?

 

Tiffany: Imagine this, my dear, sculpting sonic realms with digital sorcery, conjuring ethereal melodies while unleashing vocals that flirt with the divine and the deranged.

 

Calum: More like a sonic acid trip, but hey, a bit of shock and awe never hurt anyone.

 

Interviewer: Moving on. Calum, you're the multi-instrumentalist. How do you fit into this unconventional equation?

 

Calum: Ah, my dear interviewer, I am the mad conductor, juggling instruments like a circus performer on a unicycle. I'm the one who injects madness, a sprinkle of genius, if you will.

 

Cody: Or a sprinkle of insanity, mate.

 

Interviewer: Fascinating. Let's explore your creative process. How do you manage to blend your distinct styles together?

 

Cody: It's like wrangling emus during a cyclone. We clash, we argue, but somehow we find a way to meld our musical lunacies into something oddly coherent.

 

Tiffany: Lunacies, darling, that's the word! We're cosmic jesters playing a symphony of chaos.

 

Calum: Amidst the chaos, we stumble upon moments of inexplicable magic.

Interviewer: Quite the spectacle. Now, let's peer into your personal lives. Cody, rumors suggest a stint in prison. Care to elaborate?

 

Cody: Well, let's just say I had a dance with the law. Fifteen years behind bars for a crime I didn't commit. But strangely, it was a twisted opportunity for growth. Grateful, in a bizarre sense.

 

Interviewer: Intriguing. Tiffany, you've made some rather audacious claims regarding your connections to jazz legends. Any insight into that?

 

Tiffany: Bill Evans is not merely a legend. He's my jazz progeny from a parallel universe. Our souls harmonize across space and time, caught in perpetual dissonance.

 

Calum: Fantasies run deep within this band. But who am I to question?

Interviewer: Indeed. Any final thoughts from each of you?

 

Cody: Thanks for enduring our eccentricities, mate. Remember, sometimes the extraordinary hides within the chaos.